"The very human elements of exhaustion, pain, nudity, confusion, and dread weave through the story, making this sit very close to the realm of horror without being overly graphic. This is despite the beautiful descriptions of the landscapes these creatures and our cast travel through." - Literary Titan, 2022
Genre: Fiction, Folk Horror, Magic Realism, Psychological Thriller
Purchase on Amazon
(available in paperback, hardcover, Audiobook ebook/Kindle Unlimited)
The vision.
What is death but fear?
Meshkwadoon is a tale that delves into the minds of a woman, a man, and a boy, as they are dragged through an experience of fear, obsession, trauma, and terror. Where the foundational spirit of the land seeks to fulfill its obligation to an exchange of life for the life of all.
Discover the unspoken impact a melting pot society has on the folk lore and language of a land whose roots go deeper than 150 years. A world whose spirits carry on despite the hunger of the living.
Purchase on Amazon
(available in paperback, ebook, and Kindle Unlimited)
The offering.
Nightmares and scars remain the only fragments of a Summer veiled by death. As Autumn dawns, Natasha and Yuuta are left to fend for their sanity in a world that pulls them back to their demanded destiny. Shattered fragments are forced together in this tale as the search for a missing little girl brings the world of the living to the crossing of the spirit.
In this twisted continuation of the story of Meshkwadoon, there is no escape from the monsters whose exaltations are through the offerings of the flesh.
Meshkwadoon is a dark, psychological, atmospheric adventure, brought to life by the flowers of anti-colonialism budding through the cement cracks in Western hegemony.
Meshkwadoon follows several characters as they experience fear, obsession, trauma, and terror while they navigate a world where things are not what they seem. What was the inspiration for the setup to your story?
Just average, everyday human behaviour mixed with a concern about what the true Canadian identity is. If Canadian society is a ‘mosaic’ of diverse cultures, then what does that leave for those Canadians who are reliant on a Canadian national culture? There always seems to be this uncomfortable, unsaid acceptance of a Canadian identity that is connected to something that average Canadians don’t actually feel associated with (or is fundamentally superficial), not to mention the pre-existence of what was here prior to Canada’s nationalization. Natasha came to me through a desperate need to understand what exploring this identity could be…and what kind of spiritual impact the reality of Canada’s melting pot society has on a land as ancient and beautiful as any ancient cultural identity.
What intrigues you about the horror and dark fantasy genres that led you to write this book?
I honestly only identify it as horror because people told me it is horror. Most people seem to struggle to define the genre, and I am loathe to pinpoint one except for magical realism. I wanted real, and sweaty, and grimy. I wanted anxiety to be clear and uncomfortable, yet understood. And really, reality is just naturally dark and filled with minute traumas inspired by frightening displays of inhumanity. The magical, mythological (or fantasy) elements grew through the need to stay connected to the spirit of the land and my love for elements of cultural mythology.
What were some themes that were important for you to explore in this book?
Anxiety, fear, hyper reality, Canadian diversity, pent-up human trauma, and the commonplace misunderstandings of the actions and intent committed by other people. It was also very important to me to ensure the integrity of the spiritual world was associated with and connected to the physical.